Those hoping to get an explanation about the whats and whys of the Human, Spirit, and Demon Worlds will have to settle for hints of brief exposition. It’s a hell of a lot to fit into five episodes, and the most unstable bits of the series involve a more perfunctory approach to what in the lengthy manga and anime was granted more detail. Though initially hesitant, Yusuke eventually decides to take on the role and - shadowed by his adorable, giggling guide, Botan - he dives into a conspiracy involving corrupt businessmen, monstrously powerful figures, and the Demon World. Yusuke gets hit by a truck while trying to save a young boy, and rather than die he’s offered the chance by the Spirit World to investigate uncanny crimes as a Spirit Detective. The abridged plot attempts to hit all of the major beats - it centers around Yusuke Urameshi (Takumi Kitamura), a high school delinquent that few people seem to care for, including Yusuke himself. Luckily it sticks the landing in this regard. But Yu Yu Hakusho might be an even bigger challenge, considering how much has to be covered in the meager episode count. Coming hot off the heels of the success of One Piece, another cross-genre manga adaptation that mixed heart-on-your-sleeve emotion with outlandish pirate journeys, this probably doesn’t seem like much of a surprise. However, despite the odds, Netflix’s Yu Yu Hakusho mostly succeeds at weaving around several atmospheres. And the latest adaptation of it, a five-episode live-action Netflix series, is no different. But Yu Yu Hakusho, which begins as a supernatural comedy with juvenile hijinks and morphs into a bare-knuckle action series full of grim horror, is the most prominent example of Togashi’s categorical collages. ![]() That’s no surprise considering its talented author, Yoshihiro Togashi, specializes in blended tones and subjects in his work Level E is sci-fi and comedy, while Hunter x Hunter is a sprawling epic of martial arts adventure, familial trauma, and intricate fantasy. Yu Yu Hakusho, from its earliest form as a manga series in the pages of Weekly Shonen Jump, has always been a genre high-wire act.
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